Stepping Back to 1960...
60M Americans Smoke...

Welcome to the ‘Mad Men’ Issue

U.S. Tobacco Companies

Mark Record Year

A nation-changing election, an evolving agency business model, new medi-

ums fighting for consumer attention—maybe things haven’t changed much

Costs of Cigaret Advertising

since the “Mad Men” era after all.

Per Carton and Per Million Cigarets Sold

When Initiative came to us on behalf of Lionsgate to create a retro issue

of ADVERTISING AGE to celebrate the DVD release of the first season of “Mad

(5b9illSioanle s)s inveAstdment peArdmciollisot n pAerdccaorstot n

Men,” we loved the idea of seeing the show, based on the advertising indus-

Pall Mall (Amer. Tob.) ..............64.0 $12,637,152 $197.45 3.9¢

try in 1960, coming to life in our pages—but we also thought it would be a

Camel(Reynolds)...................63.5 $9,366,843 $147.50 2.9¢

lot of fun to see just how much things have actually changed since then.

Lucky Strike (Amer. Tob.) ........... 43.0 $6,743,221 $156.81 3.1¢

Just as in the show, you’ll need to pay close attention to separate fact from

Winston (Reynolds) ................. 43.0 $8,378,024 $194.83 3.8¢

where we have taken creative license. You’ll see reprints of actual articles

Kent (P. Lorillard) .................... 36.0 $15,051,987 $418.11 8.3¢

published in ADVERTISING AGE during that time period, some “then and now”

Chesterfield (Liggett & Myers) ..... 28.0 $6,066,495 $216.66 4.3¢

comparisons—such as comparisons of the 100 leading national advertisers,

Salem (Reynolds) ................... 27.0 $15,624,230 $578.67 11.5¢

what things cost, how television was disrupting the landscape as other media

L&M (Liggett & Myers) ............. 25.0 $10,468,932 $418.75 8.3¢

are doing today and BBDO Chairman Emeritus Allen Rosenshine’s look at

Viceroy (Brown & Williamson) .... 21.5 $9,858,597 $458.53 9.1¢

the creative process on the Pepsi account over the years. And then there is

Marlboro (Philip Morris) ........... 21.0 $7,997,044 $380.81 7.6¢

the creative license—a one-on-one interview with Don Draper (with help from

Kool (Brown & Williamson) ........ 13.7 $3,797,302 $277.17 5.5¢

“Mad Men” creator and Executive Producer Matthew Weiner), a portfolio of

Herbert Tareyton (Amer. Tob.) ..... 11.5 $9,733,595 $846.39 16.9¢

Sterling Cooper’s best work and some coverage of the agency’s latest account

Old Gold (P. Lorillard) .............. 11.2 $3,295,237 $294.21 5.8¢

wins, with a bit of gossip mixed in. This agency is on fire!

Philip Morris (Philip Morris) ........ 11.2 $1,665,863 $148.73 2.9¢

Our Custom Programs Group had a great time digging through old

Parliament (Philip Morris) .......... 10.0 $7,048,373 $704.83 14.0¢

archives and interviewing people from the time period, and then taking that

material and wrapping it all up in a design adapted from the pages of AD AGE

in 1960, complete with typefaces and column names.

As we discovered in our research, true to the “Mad Men” portrayal,

people were proud to work in the advertising industry in 1960. It was a fun

business then, and it is a fun business now. We hope you enjoy taking a

journey back in time with us. Allison Arden

VP-Publisher

ADVERTISING AGE

By Pa A o c icinm gl anayer r t yr Mea R b c PareaacUseiisca ylrk.ats1n l, wtSr o.ein96t Mannnb 6 46ell Tdori A9. a ronm.5anMoflatstheosmth0oItbtrlb rdn osdAlaoesasic 4ckUececaia 6bwaa uderbi e s cax t moalpFndPicilhlcmTam7ci ll pteeo esnro.aliilc niols one,oNote6on.SinobR g.,gcaonie bthribc ioaecialothbr lmauemndem ntcmopr a ra , us.c uL c Tr l saoee hrbadbg egasiroad aarsittht nybuetoTn CRps1ctonio opTnpae ,o e hroWamey7li ln lece lisntcdsdpssrreaemeilblai ot gm’he senbgns otacnen%in1Cnbcnvodnyn CHICAGO— ie i g9ouagier eresea as or ouePidomdhspdcsotloso,ld sat fr atsasio $ul.nsebv gtnaepissnusf65.dcasbAl.reNfo ’ ro89sgcr ioeaems n’trf s av i l 1r2eMIn,ntst g,tkreKL,puu4im..5ACgsseoeoor r bmaRPthoe-ft ain. Brand m. s l ,da1wtweet. encp.7 kty1%s1il e 5,l9lei l bS. rat3ai5oreJlsl i n9n-l. rni%ng. d kde. s ,p l 63ml9hh5ieiitttad w9leihopv rm1uae 1tcr eti w 7,e1da, 5isAeie 2athmgao hsfiwsi thintg isnpeetu aetr dnhicdrthih n e vdiraede edn- rr- -,

The Peeled Eye Department...

All’s Well That Ends

(or

Begins) Well

the home-b.uildin.g ma.rket. Vicks Chemical’s decision to

Betty Furness may have

He comes, behold, the Research Man.

closed her last refrigerator door for

Westinghouse Electric, but the com-

pany is putting a good face on the

jilting. Miss Furness recently ended

her reign as commercial spokes-

Give him fou.r and t.wenty .scholars, Give him twenty thousand dollars, And in two months he’ll bring to view The facts that you already knew.

woman for Westinghouse after 111/2

Don Draper isn’t the only

years. Despite the loss, a highly

one who’s got a knack for words

placed company exec is predicting

at Sterling Cooper. Account exec

tai3ls s$p4si s Kp6e%ongb, 84ee,7n .nn4dtoou 3td3in$op i coi raamgaD%jn,2g9st,e13d5% ag2 nnd 0udinre oies ainn0m gd0, sst rraua 3etmrAi20bi,ptptock31i tnreait$e4;n66i,t esde1d%W18sfr n40errewe t in.8tepet1,0ossnvt 0 dth90pfopteh5—re,0uti94so tir5pon53pm s g%sotmfiote60eAnaap 0,o ly.oCoinnos.00pmtewse1 ic,i$t9.eLnud’ o er 0leessine9ts8nwci5 ,3 thgn8t7s7dakn8 a rw(icwnThh.p8rsyg;SaC o en,0pd2pftla lrmm i4eai n;dtkoe esl gabnia’st m m tdst ysdheoen y geaar yr o3aidVae m6nt,0shp,sal rbrt . en0Aaemiehllmsc )0a,bgib 0oruoaa re0uomainre r 0twsdes mm6i—sd, st , hoieocrreth oawae,to dwuhlpanbr nrte ciegasalt 0n oe,g kn- sce - eepreeSrtoothah rh hpdergefeonrha oan e a kc, poerwcmu tindeai nsgudsttehtt mreo foepithim nheeire, rrpsin fianuy lrgmecpaie teetraobrgo -ap sls2eorrvele (o.5oeth ini%fr-ca cyov cnlcurfderigene yf oaa- iam-r ffoMeihadue atsetactsaarFm.tmlfdos) Sh mivnh.ffdee evdda ceceiteniyjuf, l tsrtirgasl,wscw tigh oisalafielr1ai firneT sgtrqte%rceht emauridesn mothaes’tosg tlrfar kenuCiooondmleasbb inigmfaongua fpcm:-crt tekhe irtumTedeids hrmat ltoreveisis rereds-d bi nsg- Vrlraro shiatePrLfeeermeg l ocnrhbesra (wedc r Cco,iioomlte oaywglirapoBovhru hr nsea tintnieMCuksagla .tintigon rionnli ct hdhsouegtef , ueerLhtrhrnt.rotys tFacpa i duog&aestrColuer cs yoroeoe snC.innsfhcei gMbienoal nePd.etsdassutuamoglp aMTnh.’cnn geahgtoMaccenairnegt mher eap Clbnin-asrpe,bdtetato hd hne 1oei 4rownelbaglloigitis- i ) coaonrnso wdngs-

nothing but growth for refrigerator

Ken Cosgrove is apparently stir-

and automatic washer sales by the

ring things up among the agency’s

second half of next year and con-

ranks with the recent publication

tinuing through 1962—fueled not

of his short story, “Tapping a

by a pretty face but by growth in

Maple on a Cold Vermont Morn-

move its Clearasil account appears

Betty Furness

ASSOCIATED PRESS

to be based less on business than on

...

ing,in th.e ve.nerab.le Atlantic Monthly. Nothing like acclama- tion to keep the competitive juices flowing—rather like sap in winter.

marital bliss. Word has it that while

Research may be the wave

We don’t know what you

the company was pleased with cur-

of the future, but for now we’re

worry about, but for years “Joe

rent strategy, the recent marriage of

maintaining a wait-and-see atti-

Smith” has wondered how much

Vicks bigwig Tom Vogel’s daugh-

tude. Apparently so is Draper

toothpaste is contained in a fam-

ter to a certain account exec means

Daniels of Leo Burnett, who has

ily-size tube. Last Saturday night

the account should be wrapped up

penned this ode to the research

he did something about it, care-

nicely with a big white bow to fit in

maven:

fully squeezing out the paste in a

alongside the matching crystal and

long row in his bathtub. The an-

chip ’n’ dips.

With a ton of charts and a wonderful plan

swer: Seven feet, eight inches.

Advertising Age

Trademark Registered • THE NATIONAL NEWSPAPER OF MARKETING

STAFF

Jackie Ghedine, Advertising Director, 212-210-0725, jghedine@adage.com; Jim Whelan, Sales Manager, 212-210-0158, jwhelan@adage.com;

Angela J. Carola, Custom Program Director, 212-210-0407, acarola@adage.com; Karen Egolf, Editorial Director, Custom Marketing Solutions,

312-649-5239, kegolf@adage.com; Richard K. Skews, Associate Editor; Barbara Knoll, Copy Editor; Christine Bunish, Researcher;

Gregory Cohane, Art Director; Diane Maida, Production Manager

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Go to page C14

References:

mailto:jghedine@adage.com

mailto:acarola@adage.com

mailto:kegolf@adage.com

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